The act of painting is for me about slowing time and fracturing an image [or fracturing time and fragmenting an image] in a way not possible (or at least very difficult) in a photograph creating an experience which cycles, like breath, and which can be endlessly replayed, extending forwards and backwards in time.
During graduate school, Ive pushed my work to become more personal. A protagonist has appeared, lost in thought or contemplation of a vast landscape. She desires something inexpressible. She longs for something for which she has no words.