ANNIE SIMPSON
The Sea Untitled (Stacked Lights) The Escape (still 1 of 2) The Escape (still 2 of 2) The Sound (Sarah with headphones) Untitled (from the I Want to Be Like You series) Untitled (from the I Want to Be Like You series) Untitled (from the I Want to Be Like You series) Untitled (Light Painting) Untitled (study for The Sea painting) Bike (study for Motorcycle painting) Untitled (study for Motorcycle painting) Drawing for the Mitgang Audio album cover Sarah Wild and Free (still 1 of 2) Wild and Free (still 2 of 2) Urban Cowgirl (Leaving Town) (still 1 of 2) Urban Cowgirl (Leaving Town) (still 2 of 2) Eyelid (still 1 of 3) Eyelid (still 2 of 3) Eyelid (still 3 of 3) Untitled (White Planes) Untitled (Single Plane) Untitled (Black Planes in Formation) Untitled (Black Planes in Formation) (detail 1 of 3) Untitled (Black Planes in Formation) (detail 2 of 3) Untitled (Black Planes in Formation) (detail 3 of 3) Study for Fighter Planes in Formation Study for Cityscape with Planes Untitled (Jake in motorcycle gear 2) Untitled (Jake in motorcycle gear 1) Untitled (Motion Drawing 3) Untitled (Motion Drawing 2) Untitled (Motion Drawing 1) Untitled (Floating Squares with Line) Untitled (Floating Squares) Untitled (Cityscape 2) Untitled (Cityscape 1)
Archive: Yale 2002 - 2004
desire / I want to be
there
hold(ing) time

The act of painting is for me about slowing time and fracturing an image [or fracturing time and fragmenting an image] in a way not possible (or at least very difficult) in a photograph – creating an experience which cycles, like breath, and which can be endlessly replayed, extending forwards and backwards in time.

During graduate school, I’ve pushed my work to become more personal. A protagonist has appeared, lost in thought or contemplation of a vast landscape. She desires something inexpressible. She longs for something for which she has no words.
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